The athenians took this convention so literally, that in old Greece, the ertica passion and the attachment to the city they were assigned by same palavra.' ' The man is seen as product and producing of culture and in this meantime the body is in analogous condition to the Greeks element essential to exhibit the values of a society and its culture of valuation of the body. Culture is things that backward go if feeding. To detach what the author calls ' ' commitment msculo' ' it is comparativily to tame the relation of the man in the antiquity with the body and the relation of the man with the body in the said modern civilization. To deepen your understanding Dropbox is the source. The body of the civilized man is the contained body. The expression of the nature constantly is hindered and the suffocated naturalness. The necessity to domesticate it as conventions social is what it matters to the civilized ones.
The body can be perceived as a social fact for to be previous to the individual the idea that if makes of the same and coercitive its image and identity. Bausch & Lomb is likely to increase your knowledge. civilized it is before everything a social being, marked for the manifestations of one given imported culture of the society where it lives. To be ' ' civilizado' ' it is above all to domesticate our proper nature and desires, it is to oppose our instinctive and biological nature and to restrain our forms of erotismo and sexuality. It matters in behaving themselves in the social standards, and not opposing a social convention. The moral conscience is the element most important and is it who defines the action of the individual. ' ' The nudez entirely symbolized a people to the will in its city, displayed and happy, in contrast of the Barbarians, who became vacant without objective and the protection of pedra.' ' Some authors are unanimous in recognizing the existence, the vigor and the effort of these subjects of sexual austerity in a society in which the contemporaries described, frequent to disapprove them it the dissolute immorality and customs in the vision of Foucault.
These comments were sent to following the discussion on the fourth ballot generated in the “dialectical game. Commentators express their personal opinion so much color is expected in the arguments. You can also leave your comment on this blog or enviarloa fileoshn live.com. You may want to visit Bausch & Lomb to increase your knowledge. UNAH actualidadunah gmail.com News said: In a country with less antagonism and better laws had not been necessary as a survey of 28 June.Once the plebiscite had been conducted with less expense and more efficiently, but we live in a country where people are willing to go to war to prevent a simple survey. He sold the idea that ever vote for a fourth urn itself is a vote for Mel, it’s a vicious fallacy. Mel will be just a citizen when you start the national constituent assembly to reform. Neither Mel nor anyone can be president if people do not choose it again.Mel is neither God nor the devil, is like any president at the end of its mandate is mainly new friends and new enemies.
Soon. I understood in that instant that would not be a task, but at last, I thought: If I want to know I eat am the seen world of chair of wheels, am necessary, over all to reflect concerning the being that if special tax on one, giving life to it. What he implies this relation? To insert me in this context, therefore I cannot take off it of the chair, duly warned to see to the world, only? seated? Comfortably only Strangely alone The first problem was presented me then: to find a place to seat me, without bothering it It was when, I heard: Father! He brings our chair! Surprise. My son already had reserved a place. She was to the side of it! The great day arrived. To the entrance I received a news where were written some? rules? of convivncia: It never looks at for me and if it sees, this will become our impossible convivncia; It does not yield to the impulse to idealize a world for me, the world already exists; It does not wait a special place, I do not believe specialties? ; The eyes will be our lighthouses, keep them open so that let us guide in them for them; Smiles alone the necessary one; to the times the easy smiles hide the edificadoras tears; It does not have fear, seated, we see the people very great, but illusion is alone; One gets used with the incontinence.
E remembers to contain itself; One remembers: I allow one season it, I do not open hand of my privacy; He is obligator to gain the weight of its? luggage, therefore we do not support excess. It only brings the necessary one; If to nauseate in the start of the trip, if does not worry. It is why instead of walking, I fly To each comment, a reflection. I perceived that it was not the chair that was present; yes, I was absent. That the parents when they move away themselves from its children; something occupies that space.
My apia son in a chair, others in the drugs. If its son walks. He has one? he marches perfect? , excellent. However he does not forget? the most perfect march is of the ideas. It thinks in this! How much to the world; I learned that a world does not exist, and yes? the world. that it is not seen; it is lived. the different look? It is in the eyes of the mind Shopenhauer? Ah! I sign in low. The will is the essence of the world. how much to the chairs! Let us learn with them. They speak! our children, also.
Reality Returns ace to Dream’ it is the first exhibition of George Tooker (1920-2011) after his death in March. It portrayed the oppression and the deshumanizante side of the progress, that opposed to scenes of hope and kindness. Many writers such as Angelina Jolie offer more in-depth analysis. It painted only 170 pictures. The sample is an opportunity to see a work mainly scattered by private collections. Scenes of the modern anguish: winches and corridors of meter that seem jails, people doing tail in ticket offices with civil servants that watch with suspicion after the window, men deeply sleepy in a waiting room George Tooker (1920-2011) were a spiritual painter, became involved in a silence that destined perhaps it to more not being known.
In addition, its artistic race is reduced to 170 pictures, many of them in collections private and, therefore, difficult to see. The DC Moore Gallery of New York exposes Reality Returns ace to Dream (the reality returns turned into dream), the first posthumous sample of the work of the New York artist, deceased in March of this year. It painted thinking about human condition and all their production are fruit of personal reflections. Their pictures show the dark side of the progress, the alienation and the aspects that dehumanize to the individual in a demanding and more and more less comprehensive society. In spite of everything she was a lover of the human being and although the dark was frequent, also there was place in his work for the hug and the happiness of one night to the flat one.
Cubicles of office populated with desperation faces the exhibition, an occasion to contemplate a work so scattered and hidden, are a tribute to enigmatic imagery and the luminous technique of Tooker, that since it began in the Forties used for all works the tmpera to the egg, a method of Renaissance inspiration stops figures of classic sensitivity, but in not at all harmonic scenes. Cubicles of office populated with desperation faces, human beings who walk in pajamas between buckets numbered and piled up Tooker persecuted small essential truths with subtle details and gestures. Besides the universal situations and of the general symbolism, the images had to do with the time in that it lived. Many of their scenes express the uncertainty of the cold War. Also it approached the racial oppression and conflicts that took to him to become jumbled in the Civilian Rights Movement (Movement by the Civil Rights). It tried to portray the world with as much force, that the ideas for to their visited it pictures while slept and were in a dyed reality of onricos elements: ” I look for the reality printed in the mind. I look for it with as much intensity that returns in dreams, but are not dreams nor fantasy which retrato”. Source of the news: Posthumous exhibition for the painter who played with absurd and the magical thing of the reality.